๐„ž Clefwork
โ† Intermediate ยท Lesson 5 of 5

Score analysis: Minuet in G

Apply everything so far to the opening of a real piece, bar by bar. ยท 15 min

The piece

Minuet in G major, BWV Anh. 114 โ€” long credited to J.S. Bach, now attributed to Christian Petzold (c. 1725). It's in the Notebook for Anna Magdalena Bach and is a standard early-intermediate piece. Below is the right-hand melody of the first 8 bars.

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Step 1 โ€” the frame

Key signature: one sharp โ†’ G major or E minor. It starts on D (part of the G chord) and the left hand begins on G, so: G major.

Time signature 3/4: three quarter-note beats per bar. Minuets are dances, so beat 1 is strong. Every bar adds to 3: bar 1 = quarter + four eighths = 1 + 2 = 3.

Step 2 โ€” patterns, not notes

Bar 1: a leap down from D to G, then stepwise motion up (G A B C). Bar 2: D, then two repeated Gs. Bars 3โ€“4 are the SAME pattern, a step higher (E, then stepwise up to G). This is a sequence โ€” recognise it and you've read two bars for the price of one.

Bars 5โ€“8 move mostly downward by step, ending on A (a half cadence: the phrase pauses on the V chord, D major). The phrase wants to continue โ€” and in the full piece, it does.

Step 3 โ€” accidentals in context

Fโ™ฏ in bars 3 and 7 comes from the key signature โ€” no symbol is written next to the notes. If you play F natural here, it's a reading error, not a 'wrong note' of the composer.

Check yourself

You'll see immediately whether each answer is right, and why.

Score analysis: Minuet in G quiz1 / 4

What is the time signature?